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Untitled Document
AREA CODE: JOHN WAYNE GACY
jane lewty
reaching this point/he sees that he has written pain for paint and it works better
(Tom Raworth, from South America)
along the way, it was. Inveigled in a hymn. Listen because that is the way I mean it a hymn or a column. List of the small, the onlys. Keys, tie, chocolate, my wife, Miami, a photo in the glove box: sons. There's a maiming to work out. I went desolate and rich to a hotel/church thing last week. Anselm of Canterbury says the mind, beyond right knowing, is lesser. Lesser than the feel of the new-sawn, the flowering of soap in wood, all those envelopes unopened, the stagger and drag, arm bent back in the absolute day, shaving
in light that assailed, half-sleep riven by a torch. In another country, what is the mark of terror? Ligaments of tow, a tightening of the bandwidth of the eye; every long unlettered blue vaporous thing to hoard….
These days I've learned to see the event, the woman downstairs, she brought a baby home, it cried, there was a treadmill at some point, the figure in the film I made up a-flit from door to wall, don't stop that's perfect, I want it just there, there. Nearly bought a marble table. Bad bad bad. Sometimes on the freeway things were momentarily pure and good, though. It was always low to rain from a slate madstone sky
and here's an idea, barely there at the time, how certain symbols count. Dogs have followed me ever since, their sutured mouths remote. In Anselm's theory, a first cause the self-causing cause is repeated so perhaps
in sixty seconds a mistake over again, just a crack, might have been meant. After that just a few coincident twists is all I need. Empty shells, owlcalls. New clothes. I like the word fricative. Last week at the church at the very back, where-else, the walls felt like a dip-net closedown and I fell out, I really fell. There were dog tracks, it was snowing and yellowish
and Anselm says the bad we are is known with inductive reason. Like a battery or effect of it, strange ghost of it, the slow spin of cells, the eventual snap-to. A silent downstroke on skin already cut. You the sum of the line of the point not there. A shining in me always sullen, you shine. Shine sullen, shine dissolved, shine sullen.
It's the repetition makes me a man. I was ill as all hell and you’re likely not dead. There's a naming to work out, so many items like the rose aroma, and where a table should be 7, 8 feet away, blue leadlight window, the oldest tree on the street. Prayer, water, ipecac, the salve and the bitters of it. Many-spined ideas, they crawl. I lived there for quite a while.
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Jane Lewty is British-American and is currently an assistant professor of literature and creative writing at the University of Amsterdam. She has an MFA from the Iowa Writers’ Workshop (2009) and her poetry can be found in VERSAL, UPSTAIRS AT DUROC, and others.
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