![]() |
||
|
![]() |
LULLABY: GRAVE GOODS Look it was that the sister had vertigo, in her head she stepped through three loose planks in the dock—took with her her father's silver, made for the kingdom. There were cormorants see, she wanted them embalmed & enamored of her. Consider what facts belonged to her, which facts were not bodily, which were once the rumor of ligaments. In her head she fell through the dock then & into the shade, took with her the tablecloth, depression glass, took the voice as it was, it was like snake oil stopped in her ears—heard the voice say Death was. How she gathered then joint & sinew, concluded what was left of her fear, what was left of the man who would hurt her, they could fit tamped in a snuffbox. Imagined the driftwood when it was flotsam at the shore, when it become driftwood again—her hold on sight was like this, felt herself there & there & there. Took with her cat skulls, mink stole, feather of a great, rare bird. The story receded, dawned again: In her head she had traveled great distances: there came a song or a dervish, there came the highway or There is no staying. In the lowering land she came within inches of a pathway so she thought. In any case the scene entered her like a medicine, her condition went into remission, went blank, went into a strange room with a kitchen sink, a counter made of drift. There came the fulcrum sound of a trumpet, always the mind carried on its silt dread. In her head her limbs hit the water the voice sunk as it smacked of salvo, then decency. Muzak came, like a great sheet falling over her, lightly then, lightly. PAGE 27 Natalie Eilbert received her MFA from Columbia University and is the recipient of the 2010 Linda Corrente Poetry Prize. She is currently working on her first collection, much of which builds off a schizophrenic relationship between the 'Venus' of Willendorf and a young twenty-something woman who is absolutely not Natalie Eilbert. Her poetry has appeared in INDIGEST, COLORADO REVIEW, COPPER NICKEL, DIAGRAM, and elsewhere. |